David Essex’s Lamplight is strange, stripped down and arty pop, closer to early Roxy Music than bubblegum in atmosphere, and Fickle Pickle’s California Calling is quaint jazz-pop that is essentially electro-swing decades before that contrived genre was invented – and obviously better than any modern version. In the States in the late 60s, a genre called bubblegum was an astutely kid-orientated extension of moptop pop, and its apogee was the Archies' … So named for the target audience of children and young teens, Bubblegum featured a concoction of sing-along choruses with simple verses and a repetitive melodic structure. The sub-genre of pop music originally known as "bubblegum" pop music is one of the very few dominated by a specific production team: in this case, Super K Productions, the team of Jerry Kasenetz and Jeffrey Katz, who scored the majority of bubblegum's biggest hits in the late '60s. A studio creation of the late 1960s, Bubblegum Pop is esentially anti-hippie music that features short, catchy, and upbeat boy/girl jingles. 1 - 20 of 94 results. And Neil Bogart, being the marketing person he was, just crammed it down the throats of people. Bubblegum dance is a pop music subgenre that is considered to be a type of Euro house, that is also known as Eurodance music. Discover new music you'll love, listen to free personalized Bubblegum Oldies radio. Bubblegum pop (also known as bubblegum music or simply bubblegum) is a genre of music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, which may be produced in an assembly-line process, driven by producers and often using unknown singers. "[3] Music critic Lester Bangs described the style as "the basic sound of rock 'n' roll – minus the rage, fear, violence and anomie". Genre of music with an upbeat sound contrived and marketed to appeal to pre-teens and teenagers, which may be produced in an assembly-line process, driven by producers and often using unknown singers. They are often amusing and cheerful. [...] It has to sound like they mean it. [10] The 2001 book Bubblegum Music Is the Naked Truth rules out teen pop or boy bands as inherently bubblegum and defines the term as: The artists were typically singles acts, with songs commonly featuring singalong choruses, seemingly childlike themes and a contrived innocence, occasionally combined with an undercurrent of sexual double entendre. "[3] He went on to list such "important antecedents" as "I'm Henry VIII, I Am" (Herman's Hermits, 1965), "Snoopy Vs. Bubblegum is a lightweight, catchy pop music that was a significant commercial force in the late '60s and early '70s. Bubblegum music borrowed from the traditional sounds of mbaqanga, marabi and kwela, so bubblegum was deep set in South African townships and their culture. And at the time we used to be chewing bubblegum, and my partner and I used to look at it and laugh and say, 'Ah, this is like bubblegum music'. At times frightening, often hilarious, and always illuminating, this collection of essays is written by people who clearly know music--not just the sub-genre known as Bubblegum Pop--backwards and forwards. However, none of these songs had showings on the pop charts when released as singles, except for The Banana Splits theme song "The Tra La La Song (One Banana, Two Banana)", which managed a number 96 peak on the Billboard Top 100. Many musicians who grew up with the genre later incorporated bubblegum influences in their work. That's really the point at which bubblegum took off. Joey Ramone has stated in interviews that The Ramones were fans of the band and bubblegum music in general. [13] Bubblegum failed to maintain its chart presence after the early 1970s due in part to changing trends in the industry. A heaping basket of tuneful bubblegum nuggetry from Britain's early-'70s pop market. Typical of the genre were the Ohio Express' "Yummy Yummy Yummy," the 1910 Fruitgum Co.'s "Indian Giver," and the cartoon band The Archies' "Sugar, Sugar." Bubblegum dance is a subgenre of Eurodance music. [3] In the opinion of music historian Bill Pitzonka: "The whole thing that really makes a record bubblegum is just an inherently contrived innocence that somehow transcends that. Bubblegum dance is a subgenre of Eurodance music. “Smile a Little Smile for Me” by the Flying Machine. The term also refers to a pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. Discover new music you'll love, listen to free personalized Bubblegum Oldies radio. Bubblegum Bass (sometimes called PC music, bubblebass, post-ringtone, hyper pop or bubblegum badass) is a style of Electronic Dance Music that originated in the early 2010s. Bubblegum pop was a genre of music that had a presence on the Billboard charts in the States from the late '60s into the early '70s. Written by world-class composers, our incredible Bubblegum tracks are exclusive and copyright clear. However, the genre had a surprisingly long legacy, as musicians that grew up with bubblegum created songs that reflected the sunny, catchy simplicity of the music. Genres. Discover the most collected and trending Bubblegum music. [11] The song's success led to "cartoon rock", a short-lived trend of Saturday morning cartoon series that heavily featured pop-rock songs in the bubblegum vein. A lot of the melodic metal comes out of that too. Paroles navrantes, voix plus qu'anodines (voire parfois carrément stupides). Appropriately, the genre also had a short life span, lasting roughly five years. Bubblegum is a lightweight, catchy pop music that was a significant commercial force in the late '60s and early '70s. The Archies' 1969 hit "Sugar, Sugar" was a representative example that led to cartoon rock, a short-lived trend of Saturday-morning cartoon series that heavily featured pop rock songs in the bubblegum vein. The show's theme song was a bubblegum track, as it was the popular genre at the time. It takes Pop music and amplifies its cuteness and femininity to extreme levels, often pitching the vocals upward and warping the rhythm through a frenzied UK Bass and Wonky filter. The chief characteristics of the genre that it is pop music contrived and marketed to appeal to pre-teens, is … [10] The term also refers to a pop subgenre, originating in the United States in the late 1960s, that evolved from garage rock, novelty songs, and the Brill Building sound, and which was also defined by its target demographic of preteens and young teenagers. Bubblegum (also called bubblegum pop) is a pop music genre with an upbeat sound that is considered to be disposable, contrived, or marketed for children and adolescents. It was all about getting the message across in two and a half minutes. Bubblegum was targeted at a preteen audience whose older siblings had been raised on rock & roll. Yes, it is responsible for Take That and New Kids On The Block, but it's also responsible for The Ramones. During the 1970s, the original bubblegum sound was a formative influence on punk rock, new wave, and melodic metal. Kasenetz and Katz quickly established Buddah as a leader of the genre with hit recordings by a series of studio-only groups, including the Ohio Express, the 1910 Fruitgum Company, Crazy Elephant, the Rock and Roll Dubble Bubble Trading Card Co. of Philadelphia 19141, and … Many genres have a rich history or geographical significance, a cult following or music roots that go far beyond the 20th century. Bubblegum aims for any part of your body it can get, as long as you buy the damn record. "[3] Music critic David Smay argued that disco is merely bubblegum by another name, and that since bubblegum is "dance music for pre-teen girls", the genre's scope must therefore include dance-pop and such associated figures as Stock Aitken Waterman and Kylie Minogue, however, "Not all dance-pop is aimed at kids and shouldn't be presumed to be disposable anymore than bubblegum. Typical of the genre were the Ohio Express' "Yummy Yummy Yummy," the 1910 Fruitgum Co.'s "Indian Giver," and the cartoon band The Archies' "Sugar, Sugar." QUICK ADD. As those preteen bubblegum fans grew up, they left the music behind. Many of these hits hark back to simpler times. A cast of contributors (from cartoonist Peter Bagge to the bizarre Partridge Family Temple to Greg Shaw) document the history of, and opine on, and celebrate the unknowns of bubblegum music. Bubblegum pop (also known as bubblegum rock, bubblegum music, or simply bubblegum) is a genre of pop music whose classic period ran from 1967 to 1972. The songs of bubble gum were usually about love, and had no thinking involved with listening to them, they also had a catchy tune that could be whistled at any particular moment. Frequently, the session musicians were given a fake band name to give the illusion that they were a real group. The lyrics and style are often light-hearted and are not intended to be taken seriously. Stylistically speaking, bubblegum pop songs consisted of simple guitar chords, singalong choruses, and upbeat lyrics … CD $7.99. Blues & Folk Music Broadway & Vocal Classical Country Music Jazz Pop Music Rock Soundtracks Browse All > ... Bubblegum: Music. This is a smart book, and a must for everyone from music criticism completists to … The show's theme song was a bubblegum track, as it was the popular genre at the time. Popular music genre that originated in the African American community in the United States in the 1950s and early 1960s. If Miley Cyrus and today's child demographic-snaring acts have their roots in anything, it's 60s bubblegum pop. This foot-stomping entry by the Scottish band The Bay City Rollers was a late entry in the genre. Bubblegum was targeted at a preteen audience whose older siblings had been raised on rock & roll. Feel free to add ones not listed, that you know of. 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